{"id":5772,"date":"2023-01-24T11:49:21","date_gmt":"2023-01-24T10:49:21","guid":{"rendered":"https:\/\/www.die-verleugneten.de\/uncategorized\/harald-hahn-performs-his-play-monologue-with-my-asocial-grandfather\/"},"modified":"2025-01-27T17:46:29","modified_gmt":"2025-01-27T16:46:29","slug":"harald-hahn-performs-his-play-monologue-with-my-asocial-grandfather","status":"publish","type":"post","link":"https:\/\/www.die-verleugneten.de\/en\/workshop-reports\/harald-hahn-performs-his-play-monologue-with-my-asocial-grandfather\/","title":{"rendered":"Harald Hahn performs his play \u00bbMonologue with my \u203aAsocial\u2039 Grandfather\u00ab"},"content":{"rendered":"\n

For much of his life the dramatist and educator Harald Hahn was in the dark about his family history. His relatives did not speak about their memories of World War Two. Hahn decided to break the silence and to actively explore his own family background. <\/p>\n\n\n\n

On 6 and 7 July 2022 Harald Hahn performed his play \u00bbMonologue with my \u203aAsocial\u2039 Grandfather\u00ab at Flossenb\u00fcrg Concentration Camp Memorial. The play attracted an incredibly diverse audience. A large number of adults and young people with an interest in the topic attended the evening performance. The next morning a group of secondary school students came to watch the play at the memorial\u2019s education centre.<\/p>\n\n\n\n

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Harald Hahn with a photo of his grandfather in the play \u00bbMonologue with my \u203aAsocial\u2039 Grandfather\u00ab. Photo: KZ<\/a>-Gedenkst\u00e4tte Flossenb\u00fcrg<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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The monologue is in the form of a conversation between Hahn and his late grandfather, Anton Kn\u00f6dler, who was imprisoned in Buchenwald. It covers the family secret, the sense of shame and life in the concentration camp. Hahn departs from the conversation to take on the role of an SS<\/a> man and to play himself as a child. In the role of a caretaker from Swabia (southern Germany), Hahn comments on events and in doing so draws links between the history, the actor on stage and the supposedly uninvolved audience. The questions raised intentionally draw in the entire audience. In the process, Hahn uncovers uncomfortable continuities between past and present. What impact do guilt, shame and silence have on families over generations? And how do class and background shape not only remembrance but also our lives in present-day society?<\/p>\n\n\n\n

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\"Theatre
Theatre play \u00bbMonologue with my \u203aAsocial\u2039 Grandfather\u00ab. Photo: KZ-Gedenkst\u00e4tte Flossenb\u00fcrg<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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The audience is completely gripped by the performance. The questions in the subsequent discussion are as diverse as the audience. Some recount the silence and stigma in their own families. And also those who are too shy to raise their hands are moved by what they have seen. Young people who have experienced flight themselves, who have already engaged intensively with the culture of remembrance and worked through this on stage, enter into conversation with Harald Hahn and talk about their love of theatre and acting, but also their own experiences of exclusion. Others reflect on the performance more quietly, becoming silent and pensive. The play has made everyone think. It seems that theatre is a medium that brings people together and provides the opportunity to make even complex topics accessible to everyone, irrespective of age or background. <\/p>\n\n\n\n

To find out more about the play and its context, click asozial<\/a>er-grossvater.de\/”>here<\/a>. <\/p>\n\n\n\n

Laura Lopez Mras<\/em><\/p>\n

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Die SS (\u00bbSchutzstaffel\u00ab) unter der Leitung von Heinrich Himmler versteht sich als elit\u00e4rer Wehrverband des nationalsozialistischen Staates. Mit der \u00dcbernahme und dem Umbau der Polizei durch Himmler wird die SS zum zentralen Terrorinstrument des Regimes. 1934 erh\u00e4lt sie erh\u00e4lt die Kontrolle \u00fcber s\u00e4mtliche Konzentrationslager. Das 1939 gebildete Reichssicherheitshauptamt, die Planungszentrale f\u00fcr die Verbrechen im deutsch besetzten Europa, ist ihr zugeordnet.<\/p>\n<\/div>

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Menschen werden als \u00bbasozial\u00ab bezeichnet und verfolgt, weil sie in der nationalsozialistischen \u00bbVolksgemeinschaft\u00ab keinen Platz haben. Das betrifft vor allem Arbeits- oder Wohnungslose, Bettler, F\u00fcrsorgeempf\u00e4nger\/-innen, Prostituierte oder unangepasste Jugendliche. Ihnen wird vorgeworfen, die Gemeinschaft zu gef\u00e4hrden. Bei ihrer Verfolgung arbeiten Beh\u00f6rden wie F\u00fcrsorge\u00e4mter, Justiz und Polizei zusammen. Sie schaffen ein engmaschiges Netz aus \u00dcberwachungs- und Zwangsma\u00dfnahmen.<\/p>\n<\/div>

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Abk\u00fcrzung f\u00fcr Konzentrations\u00adlager<\/strong><\/p>\n\n\n\n

Bezeichnung f\u00fcr alle im Herrschaftsbereich der Nationalsozialisten errichteten Haftst\u00e4tten f\u00fcr politische Gegner\/-innen oder Menschen, die zu solchen erkl\u00e4rt wurden. Die Gefangenen sterben an schwerer k\u00f6rperlicher Zwangsarbeit, Unterern\u00e4hrung, Krankheiten, Folter sowie durch gezielte und willk\u00fcrliche Morde. Die Lager stehen unter Kontrolle der SS (Schutzstaffel). Zwischen 1933 und 1945 waren insgesamt 2,5 bis 3,5 Millionen Menschen in Konzentrations\u00adlagern inhaftiert.<\/p>\n<\/div><\/div>","protected":false},"excerpt":{"rendered":"

For much of his life the dramatist and educator Harald Hahn was in the dark about his family history. His relatives did not speak about their memories of World War Two. Hahn decided to break the silence and to actively explore his own family background. 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